I attended the Orlando Guitar Expo this weekend. Before I went I had a few goals in mind. The first was not to spend any extra money. I realize this doesn't make sense. Why go to a guitar show if I'm not going to buy anything? Well, I didn't say I wouldn't buy anything. I said I wouldn't spend any extra money.
That leads me to my second goal. I wanted to sell or trade a Fender Mexican Strat and a Schecter Damien 4 bass. I would use the sale/trade of those to purchase other things. So I made a promise to myself if I didn't sell or trade those I wouldn't buy anything.
Luckily, I was able to find a buyer for the Strat pretty quickly. I realize a lot of folks might be saying, "Duh!" right now. But there was a bit of a problem at this year's Expo. The dealers were only dealing in high end expensive vintage items. A Mexican Strat is none of those things.
The other problem was a lot of attendees were also selling and trading. In other words, the market was flooded. It came down to the dealers not wanting to take home more product than they brought. So I count myself lucky that I sold the Strat pretty quickly.
My third goal was to only buy parts, and not bring home another guitar. Now that I had a bit of spending money from selling the Strat I could do that. One of the first dealers I came across had a bin full of parts. I looked through all the pickups and bought two of them.
The first was a Gibson Dirty Fingers pickup. I realize players either love or hate them. Of course, that's true of a lot of equipment, but the Dirty Fingers is really polarizing. I always kind of dug them so I bought one.
I also bought a Gibson T-Top pickup that looked to be rewound. This year I was smart and brought my multi-meter with me. Last year I was burnt on some pickups I bought. So I wanted to make sure that didn't happen again. The T-Top checked out, but I noticed something when I brought it home. It had no bar magnet in it. That's okay because I have a number of magnets. That includes an old Dimarzio Alnico 5 short bar magnet that was perfect for this pickup.
The next dealer I bought from was a tube dealer. The gentlemen running the booth had thousands of old tubes. The bad news was that they were used so there was no way a person could tell if they were in working order or not. The good news was that the tubes were $1 a piece. So I took a chance on them.
I took the advice from our great local electronics technician Mike J. He told me how to look through the glass and make sure it wasn't smokey or burnt. I also made sure that none of the little legs were broke off.
I was looking specifically for 12AY7's but they didn't have any. However I did grab a few 12AT7's, 12AU7's, and some really nice looking 12AX7's.
I had great luck at a dealer who was near the end of my rounds. He had quite a large booth. The good news was that he not only had a lot of guitars, but a lot of guitar parts. I was able to buy three pickups for a dang good price.
I bought a matched set of TV Jones SuperTron's in black. These were universal mount full humbucker sized pickups. In other words, they can be installed in any standard humbucker routing unlike the Filtertron sized pickups.
Anyone who knows TV Jones pickups knows they are expensive. I bought these at an awesome price at less than 1/3 of what they cost new. Heck, even if I don't use them I can sell them for a really good price and make back a good chunk of change.
Due to my experience in the guitar world I spotted a pickup that was simply marked, "Dimarzio Strat 70's." I took one look at it, and recognized it to be a Dimarzio SDS-1. Now, I'm not sure if this pickup was from the 70's, but it is possible. The SDS-1 was introduced in 1978. But after reading about it in the forums I knew it was a pickup I should have bought long ago. So I was glad to buy a used one for a dang good price.
So that shot all the money I had from selling the Strat. Okay, and a few dollars more. Now, the tricky part was trying to sell or trade the Schecter Damien 4 bass. Again, the dealers didn't want to take on anything, and if they did if had better be a vintage guitar. Since this was a modern bass, they really didn't want to deal with it.
I went to every table in the expo hall that said they bought or traded. I was turned down by all. Actually I was down to talking to the folks at Guitar Center, but they were busy with a sale. They said to give them five minutes. I said I totally understood, and I'd just wander for a bit and be back.
I visited a dealer who mostly dealt with guitar pedals. I spotted a boutique pedal I had heard about in several of my guitar magazines. It was the famous, "Red Witch" Distortion. I asked if he would be interested in a straight up trade of the bass for the pedal, and he said yes. He didn't have much in the way of guitars or basses, but had plenty of pedals. So we made the trade.
Now that my money, guitar and bass were gone, it was time to go home. But I could say I really accomplished what I set out to do. I was able to bring my instrument collection down by two, and bring home more parts. And if I don't like the parts I've found it's easier to sell pickups than it is guitars.
But the story doesn't end there. Yesterday I installed the Gibson T-Top and Dirty Fingers in a Les Paul of mine. I have to say I was really surprised by the sound of the T-Top. The EQ matches a Seymour Duncan 59 spot on. The only difference was that the overall contour was a little brighter which is a good thing. I've always found the 59's to be a tad dark.
The T-Top was strong, expressive and very open (meaning no compression.) I think it fit a perfect balance between a 59 and a Schaller Golden 50. I have in it the neck, but it would make a great bridge pickup too. But since I play in the neck position a lot, I prefer to have it there anyway.
I had read a number of reviews on the Gibson Dirty Fingers. It was strange in that, no one could seem to agree on how it sounded. I had to agree that it was a big sounding pickup. Some argued that it was big and wooly sounding, while others said it was big and clear. Right now, I am leaning toward big and clear due to it not having a huge amount of mids like a lot of other distortion pickups. I'm going to have to play it more before I made any final decisions.
Without question, this year's guitar show was pretty good to me. It wasn't easy, but I made the moves I wanted to, and picked up the parts I wanted to. Now that I own those black TV Jones pickups I should buy a black hollowbody to put them in? No. No more guitars for a while. I have plenty at the moment. But at least I have enough parts to keep me busy for a while. Hopefully?